Daughters of the Dust.
(eVideo)

Book Cover
Average Rating
Published
[San Francisco, California, USA] : Cohen Film Collection, 1991., Kanopy Streaming, 2019.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (113 minutes): digital, .flv file, sound
Status

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Language
English

Notes

General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Alva Rogers, Bahni Turpin, Barbara-O, Cheryl Lynn Bruce, Cora Lee Day, Tony King, Trula Hoosier
Date/Time and Place of Event
Originally produced by Cohen Film Collection in 1991.
Description
At the dawn of the 20th century, a multi-generational family in the Gullah community on the Sea Islands off of South Carolina – former West African slaves who adopted many of their ancestors’ Yoruba traditions – struggle to maintain their cultural heritage and folklore while contemplating a migration to the mainland, even further from their roots. The first wide release by a black female filmmaker, DAUGHTERS OF THE DUST was met with wild critical acclaim and rapturous audience response when it initially opened in 1991. Casting a long legacy, DAUGHTERS OF THE DUST still resonates today, most recently as a major in influence on Beyonce’s video album *Lemonade*. Winner of the Cinematography Award and nominated for the Grand Jury Prize in the Dramatic competition at the **Sundance Film Festival**. Chosen for preservation by the **National Film Preservation Board, USA**. *"Its examination of a bygone way of life is so patient and evocative, so beholden to its own storytelling conventions and rhythms, that watching it is a bit like submitting to a form of time travel." - Justin Chang, **The Los Angeles Times***
System Details
Mode of access: World Wide Web.

Citations

APA Citation, 7th Edition (style guide)

Dash, J., Rogers, A., Turpin, B., , B., Lynn Bruce, C., Lee Day, C., King, T., & Hoosier, T. (1991). Daughters of the Dust . Cohen Film Collection.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Julie, Dash et al.. 1991. Daughters of the Dust. Cohen Film Collection.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Julie, Dash et al.. Daughters of the Dust Cohen Film Collection, 1991.

MLA Citation, 9th Edition (style guide)

Dash, Julie,, et al. Daughters of the Dust Cohen Film Collection, 1991.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
134a4bc5-a9cd-d173-93cd-5820c1acfcb9-eng
Go To Grouped Work

Grouping Information

Grouped Work ID134a4bc5-a9cd-d173-93cd-5820c1acfcb9-eng
Full titledaughters of the dust
Authorcohen film collection
Grouping Categorymovie
Last Update2023-12-20 15:53:45PM
Last Indexed2024-05-16 02:02:22AM

Book Cover Information

Image Sourcesideload
First LoadedFeb 5, 2024
Last UsedMay 16, 2024

Marc Record

First DetectedJan 28, 2022 10:10:58 AM
Last File Modification TimeDec 20, 2023 03:56:46 PM

MARC Record

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518 |a Originally produced by Cohen Film Collection in 1991.
520 |a At the dawn of the 20th century, a multi-generational family in the Gullah community on the Sea Islands off of South Carolina – former West African slaves who adopted many of their ancestors’ Yoruba traditions – struggle to maintain their cultural heritage and folklore while contemplating a migration to the mainland, even further from their roots. The first wide release by a black female filmmaker, DAUGHTERS OF THE DUST was met with wild critical acclaim and rapturous audience response when it initially opened in 1991. Casting a long legacy, DAUGHTERS OF THE DUST still resonates today, most recently as a major in influence on Beyonce’s video album *Lemonade*. Winner of the Cinematography Award and nominated for the Grand Jury Prize in the Dramatic competition at the **Sundance Film Festival**. Chosen for preservation by the **National Film Preservation Board, USA**. *"Its examination of a bygone way of life is so patient and evocative, so beholden to its own storytelling conventions and rhythms, that watching it is a bit like submitting to a form of time travel." - Justin Chang, **The Los Angeles Times***
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