Nobody Knows My Name
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Women Make Movies, 1999., Kanopy Streaming, 2018.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (59 minutes): digital, .flv file, sound
Status
Description
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Subjects
LC Subjects
More Details
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Date/Time and Place of Event
Originally produced by Women Make Movies in 1999.
Description
NOBODY KNOWS MY NAME tells the story of women who are connected by their love for hip-hop music. Despite the fact that these talented female artists exist within a culture that revolves around self-expression, the subjects of Raimist’s documentary must struggle to be heard. Asia One has found a niche as an organizer of the B-Boy Summit, but longs for a sense of female community. DJ Symphony is the sole female member of the The World Famous Beat Junkies. Leaschea lives a turbulent life, even though she has been signed by a major label. Lisa married in the hip-hop lifestyle, and now raises a hip-hop family. Medusa is the successful queen of the L.A. hip-hop underground. T-Love, an ex-Cripette, hopes her creative talents will help her change her lifestyle.. Through the candid study of these women, documentarian Raimist explores a fascinating and diverse feminist community, which yearns to find a place in a male-dominated subculture that is, in itself, marginalized. Ultimately, Raimist succeeds in empowering these self-actualized women by giving them the voice for which they struggle.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Raimist, R. (1999). Nobody Knows My Name . Women Make Movies.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Raimist, Rachel. 1999. Nobody Knows My Name. Women Make Movies.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Raimist, Rachel. Nobody Knows My Name Women Make Movies, 1999.
MLA Citation, 9th Edition (style guide)Raimist, Rachel. Nobody Knows My Name Women Make Movies, 1999.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
ee9b24ee-017f-8098-51b3-77bce4aec0a7-eng
Grouping Information
Grouped Work ID | ee9b24ee-017f-8098-51b3-77bce4aec0a7-eng |
---|---|
Full title | nobody knows my name |
Author | women make movies |
Grouping Category | movie |
Last Update | 2023-12-20 15:53:45PM |
Last Indexed | 2024-04-17 02:22:46AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Jan 16, 2024 |
Last Used | May 7, 2024 |
Marc Record
First Detected | Jan 28, 2022 10:10:47 AM |
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Last File Modification Time | Dec 20, 2023 03:56:39 PM |
MARC Record
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500 | |a Title from title frames. | ||
500 | |a Film | ||
500 | |a In Process Record. | ||
518 | |a Originally produced by Women Make Movies in 1999. | ||
520 | |a NOBODY KNOWS MY NAME tells the story of women who are connected by their love for hip-hop music. Despite the fact that these talented female artists exist within a culture that revolves around self-expression, the subjects of Raimist’s documentary must struggle to be heard. Asia One has found a niche as an organizer of the B-Boy Summit, but longs for a sense of female community. DJ Symphony is the sole female member of the The World Famous Beat Junkies. Leaschea lives a turbulent life, even though she has been signed by a major label. Lisa married in the hip-hop lifestyle, and now raises a hip-hop family. Medusa is the successful queen of the L.A. hip-hop underground. T-Love, an ex-Cripette, hopes her creative talents will help her change her lifestyle.. Through the candid study of these women, documentarian Raimist explores a fascinating and diverse feminist community, which yearns to find a place in a male-dominated subculture that is, in itself, marginalized. Ultimately, Raimist succeeds in empowering these self-actualized women by giving them the voice for which they struggle. | ||
538 | |a Mode of access: World Wide Web. | ||
650 | 0 | |a Gender identity. | |
650 | 0 | |a Music. | |
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