The Giorgio Mangiamele Collection : Clay
(eVideo)
Author
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Format
eVideo
Physical Desc
1 online resource (1 video file, 80 min. 28 sec.) : digital, stereo., sound, color.
Status
Description
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More Details
Language
English
Notes
Date/Time and Place of Event
Originally produced by Ronin Films in 1965.
Description
Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - CLAY (1965) - was applauded overseas as an official selection in the Cannes Film Festival. They have been virtually unavailable since.
Description
All of these films reveal Mangiameles keen eye for visual poetry and the strong humanism of his concern for his characters. These qualities are amplified in his first completed feature film, CLAY, which explores the alienation, not of migrants, but of a man on the run from the police who is taken in by an isolated community of artists. His emerging love affair with a young sculptor leads to tragedy. The intensity of Mangiameles breathtaking vision recalls the work of Jean Cocteau and other French romantic poet/filmmakers, and signifies the appearance of a major art cinema talent, imbued with European cinema culture, who tragically never found an opportunity to find full expression of his vision after this one extraordinary feature.
Original Version
Originally produced,[Canberra] :Ronin Films, 1953.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Mangiamele, G. (2014). The Giorgio Mangiamele Collection: Clay . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Mangiamele, Giorgio. 2014. The Giorgio Mangiamele Collection: Clay. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Mangiamele, Giorgio. The Giorgio Mangiamele Collection: Clay Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)Mangiamele, Giorgio. The Giorgio Mangiamele Collection: Clay Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
541b1034-1686-42e4-bfe4-a41c59e04931-eng
Grouping Information
| Grouped Work ID | 541b1034-1686-42e4-bfe4-a41c59e04931-eng |
|---|---|
| Full title | giorgio mangiamele collection clay |
| Author | mangiamele giorgio |
| Grouping Category | movie |
| Last Update | 2022-08-24 19:23:17PM |
| Last Indexed | 2024-10-08 02:05:54AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Dec 24, 2023 |
| Last Used | Jun 23, 2024 |
Marc Record
| First Detected | Jan 28, 2022 10:08:32 AM |
|---|---|
| Last File Modification Time | Aug 24, 2022 07:23:19 PM |
MARC Record
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| 520 | |a All of these films reveal Mangiameles keen eye for visual poetry and the strong humanism of his concern for his characters. These qualities are amplified in his first completed feature film, CLAY, which explores the alienation, not of migrants, but of a man on the run from the police who is taken in by an isolated community of artists. His emerging love affair with a young sculptor leads to tragedy. The intensity of Mangiameles breathtaking vision recalls the work of Jean Cocteau and other French romantic poet/filmmakers, and signifies the appearance of a major art cinema talent, imbued with European cinema culture, who tragically never found an opportunity to find full expression of his vision after this one extraordinary feature. | ||
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