The eye. Vong Phaophanit.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Format
eVideo
Physical Desc
1 online resource (1 video file, approximately 29 min.) : digital, .flv file, sound
Status
Description
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More Details
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Illuminations Media in 2006.
Description
Vong Phaophanit showed his strikingly seductive Neon Rice Field when he was nominated for the Turner Prize in 1993. Like much of his rich and complex work since then, this installation exhibits a strong interest in language and light, in the painterly qualities of ephemeral materials and in ideas of cultural displacement. He was born in Laos, educated in France and has worked mostly in Britain since the early 1990s. Much of his work now is commissioned for architectural and environmental settings, including Outhouse in Liverpool. Created like many of his large-scale sculptures with fellow artist Claire Oboussier, this is a transparent glass house (with opaque windows) which serves as a flexible social space for the people who live in the surrounding tower blocks. In this profile, the artist reflects on his public work and his more private “studio” art, including his engaging series of perforated objects. He also discusses his most recent project, Life Lines, produced with Claire Oboussier in 2006 for Southend-on-Sea. Using cutting-edge electronic technology, Life Lines is an interactive light sculpture that responds to movement, sound, air pressure, humidity, light and wind, to reflect its ever-changing coastal environment.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). The eye . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. The Eye. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)The Eye Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)The Eye Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
b3ae713d-3e52-6884-1297-81b34fb451e8-eng
Grouping Information
Grouped Work ID | b3ae713d-3e52-6884-1297-81b34fb451e8-eng |
---|---|
Full title | eye vong phaophanit |
Author | kanopy |
Grouping Category | movie |
Last Update | 2022-08-24 19:23:17PM |
Last Indexed | 2024-05-21 02:21:01AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | May 17, 2024 |
Last Used | May 17, 2024 |
Marc Record
First Detected | Jan 28, 2022 10:08:26 AM |
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Last File Modification Time | Aug 24, 2022 07:23:55 PM |
MARC Record
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518 | |a Originally produced by Illuminations Media in 2006. | ||
520 | |a Vong Phaophanit showed his strikingly seductive Neon Rice Field when he was nominated for the Turner Prize in 1993. Like much of his rich and complex work since then, this installation exhibits a strong interest in language and light, in the painterly qualities of ephemeral materials and in ideas of cultural displacement. He was born in Laos, educated in France and has worked mostly in Britain since the early 1990s. Much of his work now is commissioned for architectural and environmental settings, including Outhouse in Liverpool. Created like many of his large-scale sculptures with fellow artist Claire Oboussier, this is a transparent glass house (with opaque windows) which serves as a flexible social space for the people who live in the surrounding tower blocks. In this profile, the artist reflects on his public work and his more private “studio” art, including his engaging series of perforated objects. He also discusses his most recent project, Life Lines, produced with Claire Oboussier in 2006 for Southend-on-Sea. Using cutting-edge electronic technology, Life Lines is an interactive light sculpture that responds to movement, sound, air pressure, humidity, light and wind, to reflect its ever-changing coastal environment. | ||
538 | |a Mode of access: World Wide Web. | ||
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